The actress Discusses Insights on Her Career, Fandom, and Unexpected Gifts.
During a revealing conversation, Miranda Otto delves on topics ranging from her newest character as Queen of the Cuttlefish to the profound lessons learned through theatrical mistakes and fan interactions.
If You Could Be a Sea Creature for a Day
The most recent role is the monarch of the cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would it be and why?
Without hesitation, that particular fish residing near a specific shoreline – since it is a local landmark, and people go there to see it. It strikes me it’s cool that a resident aquatic creature that people actually go and see and discuss – it’s a special fish.
A Film Staple to Return To
Which movie do you always return to, and why?
The 1942 film To Be Or Not To Be. I adore this picture. When I was growing up, it used to come on television every now and again, and once I videotaped it. I found it was hilarious. It’s the legendary Carole Lombard and Jack Benny. Recently they were showing it at the Ritz and I discovered that it was also the favourite film of a friend of mine, and so we went and just laughed and laughed. It’s such great piece of comedy and the entire cast in it are fantastic. The director Mel Brooks remade it in the 1980s – that wasn’t as effective. But Lubitsch's version is a brilliant comedy, worth viewing often.
A Priceless Lesson Learned From a Fellow Actor
What’s the best lesson you took away from someone you’ve worked with?
I was doing A Doll’s House alongside Peter O’Brien – my husband now, but at the time we were not together. We portrayed characters opposite each other and on opening night I tripped up – I skipped forward a few lines in the script. I was unaware what I’d done but I abruptly sensed something wasn’t right. I remember glancing toward him, and he completely saved me, and then our performance regained momentum and went really, really well. But I think the insight gained in that moment was, first, consistently rely on the people you’re working with. When you lose your place, by looking and look at the people you’re with, you will find your correct position in some way. It is a profoundly communal thing, acting on stage. And secondly, to maintain a lighthearted attitude about it. Occasionally when a mistake occurs, things can ignite in a wonderfully positive way if you’re really present in that moment. It can be a gift when things go absolutely the wrong way.
Memorable Exchanges with Admirers
What’s been your most memorable encounter with a fan?
It’s not just one particular interaction but when I meet fans of Lord of the Rings, especially female fans, I hear a lot of accounts about what Eowyn meant to them when they were younger … things that had happened in their lives and the extent to which that character meant to them and was some kind of help to them during those periods.
Which questions get asked about the most by Lord of the Rings fans?
The most detailed inquiry concerns always about the stew her character prepares for Aragorn. “Did that stew taste as terrible as it looked?” It has evolved into such a joke, the entire episode involving that dish, and all fans wish to know what was in the stew, and its preparation method, and in your opinion her skills improved now, or do you think she really is a bad cook? Fans seem, in my view, obsessed with the humour of that situation. And I provide lengthy descriptions listing the ingredients that made up the concoction – as I recall what they did; such as adding pieces of colored thread to simulate the appearance like blood vessels in the meat. They went to extreme measures to render it as unappetizing as they could.
An Awkward Celebrity Meeting
What was your most cringeworthy run-in with a famous person?
I attended a pilates class and there was a woman on a mat doing pilates, and the instructor said to me, “Oh, Miranda, this is Miranda.” And I made some joke about, “oh, are you a journalist?” Since Miranda is an unusual name and most of the time when I meet another Miranda, they work in media. I wasn’t really seeing who it was. And when she got up, it was the actress Miranda Richardson. Then I didn’t know what to say. I still had to complete my class, and I felt intense awkwardness. I wanted to say: “Goodness, I am aware of your work!” I think her talent is immense and I was simply too awestruck to utter a syllable.
The Source of a Moniker
It’s been repeatedly stated that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned stating otherwise – can you clarify this once and for all?
Indeed, I was christened for the Sydney suburb. Mum learned via broadcast that they were opening a mall at Miranda, and she thought sounded like a nice name.
Chaos on Set
What’s the most chaotic thing that’s ever happened on set?
When I was working in Brazil on Reaching for the Moon I experienced the least organized set of my career, and yet the final product turned out incredibly well. But they just work in a distinct manner. The sense of time there is unique. Typically, you normally have a call sheet and must arrive on set punctually. But this was rather flexible – you come on set whenever you happen to be ready. It was a really different way of working for me. The elements were all coming together at the very last minute, and sometimes they wouldn’t know the next location the next day the methodology. And then you’d be in during a scene and wondering, “What was that noise that just interrupted the scene? Ah, it was the producer opening a bottle on set, because he’s making a party.” The result was great, but wow, it’s a distinct approach to film-making.
A Hidden Skill
What are you secretly good at?
I naturally possess good with numbers. I retain numbers more readily than I memorise words a lot of the time, I simply have a numerically-oriented mind. So I believe had I not ended up in acting, I likely might have worked in something to do with numbers, like math or accounting.
The Finest Guidance Ever Received
What’s the best piece of advice you have ever received?
When I was in secondary school, someone came to speak as we were graduating and they said, “have no fear to fail” … an idea I consider is supremely valuable counsel, because you learn far more from setbacks than you learn from triumph. With success, you never really understand precisely why it happened. With failure, the lessons are abundant.